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Courses >
Digital Photography & Digital Video > Intermediate Photoshop CS4
Are
you ready to take your Photoshop skills to the next level? Then join us
and learn advanced techniques for using Adobe Photoshop CS4 to edit
your images and photos. Imagine being able to undo or revise changes
you've already made without losing image quality or needing to start
over! If you've already mastered Photoshop's basic tools and commands,
you'll find it easy to master the nondestructive editing techniques
we'll cover.
You'll discover how to save every pixel in your
original image so you never have to say "I'm sorry I tossed that
information." You'll see how to the use Smart Objects so you can crop
an image or resize it and get it back to its original size months
later. You'll master tricks for warping Smart Objects that will make
the tabloid newspapers jealous! And you'll learn how to make
adjustments to your images that you can tweak at any time to add
shadows or embossing.
Whether you want to use Photoshop to
edit photos, make scrapbook pages, or do original artwork, you'll find
this course gives you the skills you need. So get ready to take a giant
leap forward in your Photoshop creativity and productivity!
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Syllabus:
A new section of each course starts monthly. If
enrolling in a series of two or more courses, please be sure to space
the start date for each course at least two months apart.
All courses run for six weeks, with a two-week grace period at
the end. Two lessons are released each week for the six-week duration
of the course. You do not have to be present when lessons are released.
You will have access to all lessons until the course ends. However, the
interactive discussion area that accompanies each lesson will
automatically close two weeks after the lesson is released. As such, we
strongly recommend that you complete each lesson within two weeks of
its release.
The final exam will be released on the same day as the last
lesson. Once the final exam has been released, you will have two weeks
to complete all of your course work, including the final exam.
| Week One |
| Wednesday - Lesson 01 |
In
this opening lesson, you'll find out what layers are and how to work
with the Layers panel to create, view, or hide them. After you've
learned how to do basic editing in Photoshop, the most critical skill
you can learn is how to use layers because editing your image in layers
opens a whole new world of opportunities for fine-tuning your images
whenever you wish. Unlike single-layer images, a layered image can be
edited nondestructively at any point, so you don't have to start over
again if you've made a mistake or need to change something.
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| Friday - Lesson 02 |
Today we'll focus
on understanding the clues Photoshop gives you that explain exactly
what you're doing to a layer as you're working. Along the way, you'll
see how you can use layers to make an area of a photo pop out from the
photo itself. This is a technique called screening back an image, and it's a treatment that you're sure to enjoy using.
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| Week Two |
| Wednesday - Lesson 03 |
In
this lesson, you learn how to take advantage of Smart Objects—the most
awesome and significant innovation in Photoshop since the layers
feature was introduced. One of the most exciting things you can do with
a Smart Object is place a RAW-format photo (or JPG or TIF) file inside
the Smart Object so you can re-edit it in Camera RAW any time you want.
You'll discover how to crop and resize photos nondestructively using
Smart Objects, and you'll love the way Smart Objects let you make a
protected package out of an image.
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| Friday - Lesson 04 |
Today you'll see
how you can make an individual layer in an image larger or smaller,
rotate it, or use the incredible Warp command. All of these changes can
be reversed if you make them on a Smart Object layer—you can change
your mind as often as you need and anytime you want. You can use
filters nondestructively so long as you apply them to a Smart Object
(gee, those Smart Objects come in handy!). You'll also learn to create
a pear that, when cut open, reveals a new fruit—the pearange (a pear
with an orange inside of it).
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| Week Three |
| Wednesday - Lesson 05 |
If
you use the Levels command to alter the values in an image and then
decide a week later that you made the image too dark, you're stuck.
Each time you edit the Levels in an image, you lose image quality. But
what if there was a way to edit the Levels as much as want and not hurt
the image quality at all? There is: the feature is called Adjustment Layers,
and you'll discover it today. An adjustment layer makes no permanent
change to the image, and you can stack them up as you wish. It's more
nondestructive editing, but it's a technique that I guarantee you'll
wish you'd learned earlier. You won't ever want to apply a regular
Levels command to an image again.
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| Friday - Lesson 06 |
In
this lesson, you'll find out about layer masks—another way that
Photoshop lets you have your cake and eat it too. If you bring a
picture of little Johnny onto a new background image, and you erase all
the stuff that was in Johnny's original background, what happens if you
later decide you just have to have that red ball you got rid of a week
ago? You'd better hope you have the original image around somewhere,
and then you're in for a lot more work again. However, if you use a
layer mask, you'll keep every pixel that's in the original image and
hide the parts of the original that you no longer wish to see. If you
change your mind about what you need to see, it's as easy as painting
over some black pixels in the layer mask with white paint. You can change your mind as often as you want.
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| Week Four |
| Wednesday - Lesson 07 |
Today you'll get
a chance to use what you've learned about masks in a real project. It's
modeled after work that I did on a series of children's reading books.
In the process, you'll also learn to use Photoshop's new Masks panel,
which makes working with masks easy. You'll upgrade your use of masks
to be able to paint areas of the mask to hide or show them and to alter
the opacity (called the density in Photoshop-speak) of the mask. Finally, you'll composite three images together using layer masks.
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| Friday - Lesson 08 |
Did
the dog eat grandmother's portrait? Or did time and water do that
damage? No matter. Using layers makes it easier than ever before to
restore some of your treasured family heritage. You'll get ample
practice on that today plus links to other sites on the Web that
specialize in image restorations. Again, the theme of this lesson is
nondestructive editing—working in layers so that you can always change
your mind about a correction without having to begin again.
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| Week Five |
| Wednesday - Lesson 09 |
What happens if
you want to place a person into a swimming pool or the ocean using
Photoshop? Water is partially transparent, and to make the composite
realistic, you need to be able to slowly transition from total opacity
above the water line to total transparency below it. That's one of the
skills you'll learn in this lesson as you work with grayscale and
gradient masks.
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| Friday - Lesson 10 |
Photoshop
has some special layers that let you create patterns, gradients, or
solid colors and change them easily, any time you want. Today you'll
see how easy it is to alter the look of a complex border or change
composites. You'll also learn some excellent techniques to create
seamless patterns, which is something that many students really enjoy.
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| Week Six |
| Wednesday - Lesson 11 |
Have you ever
wondered how to put images inside of type, like those old postcards for
various cities? You'll find out today. It's called a clipping mask,
and it's a digital version of spreading glitter onto a paper that has a
design drawn in glue—the glitter only sticks to the glue. In this case,
the new layers only stick to the base layer in the clipping mask. It's
really easy, but it provides one of Photoshop's "wow" moments.
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| Friday - Lesson 12 |
Do
you like the look of double-exposed images? Would you enjoy creating a
seamless composite of your vacation images? Then this is your lesson!
It's one of my favorites in the whole course. Up to now, you've masked
images so that you can either see the image in the layer or not, or
you've used a gradient or paint in the mask to get a grayscale
transition. Now you'll use photos in the mask to get a hide-and-seek
look to layer visibility. You'll also learn how to create an image that
has a different photo in each color channel. Then you'll finish the
course with a fun assignment that lets you put together everything
you've learned.
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This
course includes a knowledgeable and caring instructor who will guide
you through your lessons, facilitate discussions, and answer your
questions. The instructor for this course will be Sherry London.
Sherry
London is a noted Photoshop and Illustrator expert, an artist, a
writer, and a teacher. Her fiber art has been featured in magazines and
exhibitions. Her published works include Photoshop CS2 Gone Wild,
Photoshop Magic, Photoshop Effects Magic, Photoshop In Depth, Photoshop
Textures Magic, and Illustrator f/x and Design. She writes the Tips and
Tricks column for Photoshop User magazine and has written for
MacDesign, Mac User, Mac Week, Mac World, and Electronic Publishing.
She has taught for the prestigious Thunder Lizard Photoshop Conference
and the Professional Photographers of America seminars, as well as for
Drexel University, Moore College of Art, and Gloucester County College.
Sherry holds a Master's Degree in Information Systems and has taken
doctoral-level courses in curriculum design. She is also a two-time
nominee for the Photoshop Hall of Fame.
Requirements:
Adobe Photoshop CS4 for Windows or Adobe Photoshop CS4 for Macintosh
(software must be installed and fully operational before the course
begins); It can be part of the Creative Suite in Standard or Extended
editions or it can be a standalone version of either Standard or
Extended. No features from the Extended version will be taught,
however. You may also use the 30-day free trial software provided by
Adobe, but if you do, you must wait until week 3 of the course to
install it and actually begin to work through the course. Otherwise
your trial will end before the last four lessons are released. On the
PC platform, either Windows XP or Vista is acceptable. You can also
take this course with Mac OS X 10.4 or 10.5 on either the PowerPC or
Intel Mac platform.
Internet access, e-mail, the Microsoft
Internet Explorer or Mozilla Firefox Web browser, and the Adobe Flash
and PDF plug-ins (two free and simple downloads you obtain at
http://www.adobe.com/downloads by clicking Get Adobe Flash Player and
Get Adobe Reader).
You need to have completed Introduction to
Photoshop CS2, CS3, or CS4. If you have not taken one of these courses,
you need to have a good working knowledge of the basic tools in
Photoshop and be able to make selections, use the Clone Stamp tool and
Healing brushes, and do elementary color correction.
In
addition, you will need to have a program that extracts the example
files from the Zip file provided with each lesson. You need to know how
to create a new file folder and locate files on your hard drive.
If
you wish to share your work with the instructor, you will need an
online album in which to display your work. Instructions for this will
provided in the first lesson.
To purchase this course, click the Enroll Now button below:
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